Tuesday, 28 February 2012

Jo Pond

Jo Pond graduated with an MA distinction in Jewellery Silversmithing & Related Products, from The School of Jewellery, Birmingham in 2005. This period of study formed a major turning point. Having been making jewellery since the age of 15, trained firstly at evening classes and latterly at Berkshire and Loughborough Colleges of Art & Design, Jo established her design process and achieved a completely new and original body of work which now focuses her practice.

Jo was awarded for her Narrative Jewellery Collection, winning the 2005 BDI Industry & Genius Awards in the category of Products and Genius. Her work has been exhibited internationally, showcased at selected exhibitions such as Schmuck in Munich, the V&A Museum, London, Price Tower Arts Center, Oklahoma, Galerie Rob Koudijs, Amsterdam and Contemporary Applied Arts, London.

Born in Chiswick, London, Jo is now based in rural Staffordshire, living in a beautiful building which was formerly a convent. Alongside her practice as a studio jeweller, Jo is now employed as a full-time lecturer at The School of Jewellery. She is a member of Contemporary Applied Arts gallery and the Association for Contemporary Jewellery.

I come from a family of ‘Ponds’ who appear to have a genetic necessity for hoarding; digging stuff up was the foundation of a passion for objects which others might not quite appreciate. Metal detector finds and loose road-side cats-eyes fashioned the beginnings of a lifetime of habitual collecting.

As a Technician I resourcefully trimmed worn ends off workshop brushes to create much shorter ‘new’ brushes. The off-cuts sat in boxes and were gradually joined by other worn and discarded brushes. To me these were beautiful, bristles or no bristles.

Utilising this drive to collect the unconventional and unwanted, coupled with an aesthetic appreciation of the details of decomposition and change, I choose to incorporate items potentially paradoxical within jewellery, to create beautiful and on occasion, confusing objects.
Employing symbolic references of form, material and technique, I dabble in the potential for wearable items to become vehicles for communication; whether through sense, nostalgia, or knowledge.”

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