Monday, 28 May 2012

suspend.ed is evolving....


Exciting things are underway... and a new suspend.ed is on its way- Suspend.ed in pink

Artist Call Out:
You are invited to participate in ‘Suspend.ed in pink’, a touring exhibition that seeks to explore the world of jewellery as it is NOW.  With a focus on concept driven jewellery, also known as art or research jewellery, this call out is looking for wearable pieces that contain the colour PINK.

Submission Deadline:
Submissions for initial selection must be received by SEPT. 21, 2012, electronically to

Exhibition dates/Information:
The Atrium Gallery, The School of Jewellery, Birmingham University. England. 7th-28th January 2013.
Studio Gabi Green, Munich, Germany. As part of Schmuck 2013 from 7th - 11th March 2013.
Further venues to be confirmed, exhibitors will be notified as these are secured.

Timothy Information Limited.
Laura Potter

Laura Bradshaw-Heap

All inquiries and contact:

Wednesday, 14 March 2012

Friday, 9 March 2012

Rhona McCallum

I graduated from Edinburgh College of Art’s Jewellery and Silversmithing department in 2011, and since then have undertaken a residency at the Glasgow School of Art. The work selected for this exhibition comes from my degree show collection.

I am fascinated by natural landscapes, in particular that of the west coast of Scotland. Lines and surfaces from geological forms and coastal plant life from this weather-beaten region have inspired my current collection. By transforming these details into linear compositions, I create intricate structures. Layering and repetition of straight lines allows three-dimensional structures and clusters to develop; the movement achieved highlights the wild and ever-changing environment of these coastlines.

I develop my designs through mixed-media drawing and photography, alongside material development in the workshop. I interpret textures, both natural and drawn, through processes such as reticulating the surface of the metal, and use heat to colour and tarnish brass wire. The controlled and restricted forms offer a contrast to the unpredictable nature of the surface techniques used.

Laura Bradshaw-Heap

The greatest discovery of my generation is that human beings can alter their lives by altering their attitude of mind… If you change your mind, you can change your life.
- William James.
My process.

My practice seeks to create a social experience within marginal community groups with little or no experience of the creative arts. For me, the end product is not the jewellery produced by the group. Rather the producing of jewellery is a means for developing a social experience within the group. It is these social experiences, of which I become a part of, which then inform my work.

This is me; a project.

The ‘this is me’ project was developed through a series of informal jewellery workshops with a group of women from the Irish Traveller community based in London, in co-ordination with Brent Irish Advisory Services (B.I.A.S.).
The aim of the women who took part was to show an alternative side to Irish Traveller life; one very different to that shown in the Channel 4 series “My Big Fat Gypsy Wedding”. B.I.A.S.’s aim was to create a coffee morning which would give the women a place to meet outside their site once a week, to offer new experiences and to develop self-confidence.

My aim as an artist was to create a shared dialogue with the women through the creation of jewellery; to gain a small insight Irish Traveller culture and to develop a collection of jewellery pieces which reflected the themes that emerged through our informal conversations.

My resulting jewellery pieces look to embody these themes. They are informed by the womens’ sense of colour and fun; the objects created during the workshops, and the processes used to create them.

 Without these women, these pieces would not exist.